Dance for Life

 

DANCE FOR LIFE CHICAGO
AUDITORIUM THEATRE OF ROOSEVELT UNIVERSITY
SATURDAY, AUGUST 19, 2017
7:30PM

Gala Celebration & Buffet Dinner
Hilton Chicago
5:00PM

Purchase Tickets Here

Dance for Life Chicago is the annual benefit dance concert presenting and showcasing the city’s unique diversity of talent, dance traditions and styles by bringing together the incredibly talented, world-renowned professional dancers of Chicago for one night on the same stage.

The dance community unites artistically to support those affected by critical health issues by generously donating their time, energy and artistry to the cause. Funds raised assist various organizations dealing with HIV/AIDS and other health issues as well as The Dancers’ Fund.

Featured Dance for Life Chicago 2017 companies:

  • Giordano Dance Chicago
  • Hubbard Street Dance Chicago
  • The Joffrey Ballet
  • Chicago Human Rhythm Project/Ensemble Español Spanish Dance Theater/Trinity Irish Dance
  • Jessica Miller Tomlinson Choreography
  • Visceral Dance Chicago

Gala & Performance Tickets: $275 & $600
Performance Only Tickets: $15, $25, $50 & $75
Early Bird Special (thru June 2): $25 for $50 Ticket; $40 for $75 Ticket

Purchase Tickets Here

 THE PROGRAM

Giordano Dance Chicago performs Randy Duncan’s Can’t Take This Away, which premiered in 1997. Featuring 15 dancers and set to music performed live by The Bournés Family, the piece, according to Lynn Shapiro of SeeChicagoDance, features “buoyant leaps and spirals [that] well could usher any soul to heaven, and in fact, gave a great preview of the hereafter for the living fortunate enough to experience their performance.”

Hubbard Street Dance Chicago performs two works by Nacho Duato. Jardi Tancat is choreographed for three couples and set to Catalan music recorded by vocalist María del Mar Bonet. Catalonian for “Closed Garden,” the piece reveals this appeal in the movements of sowing, planting and threshing of the barren Catalonian land. ViolinCello, a duet from Duato’s evening-length work Multiplicity. Forms of Silence and Emptiness, is a tribute to composer Johann Sebastian Bach, performed to Bach’s Suite No. 1 in G Major.

The Joffrey Ballet performs Joy choreographed by Alexander Ekman to music by Django Django. Commissioned by The Joffrey in association with Cal Performances, University of California, Berkeley, the piece received its world premiere in April 2017 during The Joffrey’s spring program at the Auditorium Theatre. “To observe dancers feeling joy on stage is contagious,” Ekman said. “Joy is my 47th piece, created in only two weeks in Chicago. For the first time in a long time, I wanted to just arrive in the studio without preparing too much. I wanted to see what the dancers would bring to the piece. The turnout is something completely different than I expected—that is, the pure joy of creating in the moment. To be open to dancers’ talents and unique expressions can bring personality and depth to the work. Through playing we have come up with this quirky universe.”

Chicago Human Rhythm Project, Ensemble Español Spanish Dance Theater and Trinity Irish Dance Company together perform In the Meantime, choreographed by Lane Alexander, Maggie Eileen Doyle and Claudia Pizarro. According to the collaborators, rhythm and percussive dance are sophisticated, elastic and ancient languages with many distinct dialects. Even as these dialects have multiplied and evolved over millennia, the root is so strong that we are still able to understand each other and freely admire the sound and feel of the “other.” In the Meantime is a celebration of our distinct cultures and a recognition of our common impulses and the universal desire to make rhythm.

Jessica Miller Tomlinson Choreography performs In Tongues, an abstract work loosely based on the quirky, over-the-top stage persona of Talking Heads vocalist David Byrne, set to the band’s music.

Visceral Dance Chicago performs Ruff Celts, choreographed by Marguerite Donlon, who, inspired by the dancers’ personalities, uses a mixed score of contemporary Irish and German composers in this dynamic, dark-humored work. A fusion of contemporary and deconstructed technical vocabularies defines this sharp-witted, quirky, full-company work that has become a crowd favorite.